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		<title>Katrina Porteous &#8211; Excerpts from &#8216;The Refuge Box&#8217;</title>
		<link>https://oldclearing.littletoller.co.uk/2013/08/excerpts-from-the-refuge-box-by-katrina-porteous/</link>
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		<pubDate>Fri, 16 Aug 2013 07:16:15 +0000</pubDate>
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				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Holy Island]]></category>
		<category><![CDATA[Katrina Porteous]]></category>

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		<description><![CDATA[Katrina Porteous lives on the Northumberland coast and is best known for her long radio-poems. The following excerpts are taken from one of these, &#8216;The Refuge&#8230;]]></description>
				<content:encoded><![CDATA[<h1 align="center"></h1>
<h6 style="text-align: left;" align="right"><span style="font-size: 16px; font-style: italic; line-height: 1.55;">Katrina Porteous lives on the Northumberland coast and is best known for her long radio-poems. The following excerpts are taken from one of these, &#8216;The Refuge Box&#8217;, which she made for BBC Radio 3’s ‘Between the Ears’ in 2007 with producer Julian May. The full text will be published in Katrina’s new collection from Bloodaxe in 2014-15. The poem is based on the idea of sanctuary, that of humans and wildlife, and is set around Holy Island in Northumberland. This is a tidal island with a causeway which one can drive across at low tide. Half way between island and coast is the &#8216;refuge box&#8217;, raised above the causeway for anyone caught out by the incoming tide. The poem includes chants for two voices, set out here in paired columns, and the sound of seals, birds, wind and water. The accompanying photographs were taken by Katrina during the making of the poem. </span><a style="font-size: 16px; font-style: italic; line-height: 1.55;" href="http://www.katrinaporteous.co.uk/" target="_blank">www.katrinaporteous.co.uk</a></h6>
<h6 style="text-align: left;"><b> </b></h6>
<p><span style="line-height: 1.55;">I</span></p>
<p><span style="line-height: 1.55;">At the edge of the Low, the wind blows cold.</span></p>
<p>&nbsp;</p>
<p>A world that is water and not water</p>
<p>Stretches away, reticulate;</p>
<p>&nbsp;</p>
<p>Shaken within it, redshank, godwit,</p>
<p>Their scraps and patches of safety shrinking,</p>
<p>&nbsp;</p>
<p>Spreading. Miles of sand-flats. Glittering</p>
<p>Streams and ribbons of water, weaving</p>
<p>&nbsp;</p>
<p>Earth and sky; between them, the golden</p>
<p>Island, afloat on equivocation,</p>
<p>&nbsp;</p>
<p>Or safely grounded there, the tide</p>
<p>Either coming or going around it, the road</p>
<p>&nbsp;</p>
<p>Snaking towards it, narrow, human.</p>
<p>&nbsp;</p>
<p><b><i>Fade up seals, low Hooooo.</i></b></p>
<p><b><i> </i></b></p>
<p>You reach the Danger sign, and stop.</p>
<p>You want it, that Island, stretched out like a ship</p>
<p>&nbsp;</p>
<p>Ashore on its saltings, adrift in a sea</p>
<p>So blue and endless, you’d think the sky</p>
<p>&nbsp;</p>
<p>Had swallowed it up, or else had fallen</p>
<p>Smack down into its own reflection.</p>
<p>&nbsp;</p>
<p>Out from the causeway, over the sand,</p>
<p>Guideposts narrow towards the Island,</p>
<p>&nbsp;</p>
<p>The mirror-image of their own</p>
<p>Vanishing – an invitation.</p>
<p>&nbsp;</p>
<p>The Slakes answer the sky’s question:                    <b><i></i></b></p>
<p>&nbsp;</p>
<p>Blue?</p>
<p>Blue.</p>
<p>Now, will you</p>
<p>&nbsp;</p>
<p>Step out into an unknown element?</p>
<p>&nbsp;</p>
<p><i> </i></p>
<p><i>Tick tock, tick tock,                                         Cobwebs doon the lonnen,</i></p>
<p><i>Hurryin’, scurryin’,</i></p>
<p><i>High wetter, low wetter,                                         Blue lowes i’ the fire,</i></p>
<p><i>Spring come early, </i></p>
<p><i>Hour-glass, weather-glass,                            Black scum on the wetter,</i></p>
<p><i>Berrellin’, derrellin’,</i></p>
<p><i>Tick tock, tick tock,                                                Better watch the tide.</i></p>
<p><i>Time runnin’oot.</i></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Tentative, the tide, a feather,</p>
<p>Brushes the tarmac, skimming over,</p>
<p>&nbsp;</p>
<p>Again, another – films of water</p>
<p>Lapping, crossing, catching hold,</p>
<p>&nbsp;</p>
<p>Fizzing, creeping up the road,</p>
<p>An edge of paper, smouldering.</p>
<p>&nbsp;</p>
<p>Ten minutes is all it takes.</p>
<p>&nbsp;</p>
<p>Then, in the distance, the uncertain</p>
<p>Rattle of a motor. Idle,</p>
<p>Hesitating…</p>
<p><i> </i></p>
<p><i> </i></p>
<p><i>Creeping, seeping,</i></p>
<p><i>Icy, salty,</i></p>
<p><i>Softly, slowly,</i></p>
<p><i>Tortuous, sinuous,</i></p>
<p><i> </i></p>
<p><i>Winding, twining,</i></p>
<p><i>Bitter, briny,</i></p>
<p><i>Seeping, creeping, </i></p>
<p><i>Infiltrating,</i></p>
<p><i> </i></p>
<p><i>Steeping and</i></p>
<p><i>Insinuating,</i></p>
<p><i>Drenching, drowning,</i></p>
<p><i>Inundating.</i></p>
<p>&nbsp;</p>
<p>Undercurrents. Tide-rips. Sudden</p>
<p>Snatching torrents. The road hidden</p>
<p>&nbsp;</p>
<p>And, before you,</p>
<p>A small white shed on stilts.</p>
<p>A stairway.</p>
<p>A door.</p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-25.jpg"><img class="alignnone  wp-image-54" alt="H Is 25" src="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-25-300x224.jpg" width="450" height="336" /></a></p>
<p>&nbsp;</p>
<p>II</p>
<p>As if one world was not enough.</p>
<p>As if</p>
<p>&nbsp;</p>
<p>Sanctuary was always further off,</p>
<p>And even the Island was not sure, or safe,</p>
<p>&nbsp;</p>
<p>Beyond the shore, beneath the church, another.</p>
<p>&nbsp;</p>
<p>Timeless.</p>
<p>&nbsp;</p>
<p>Its clock</p>
<p>Ticks round in neaps, springs, weather, moons,</p>
<p>The flocks</p>
<p>&nbsp;</p>
<p>That pause here in their tides, migrant between</p>
<p>One elsewhere and another. Small birds, knots,</p>
<p>&nbsp;</p>
<p>Settle and unsettle,</p>
<p>Swerve and fall</p>
<p>&nbsp;</p>
<p>Together, purposeful</p>
<p>As one heart, one</p>
<p>&nbsp;</p>
<p>Single indrawn</p>
<p>Exhaled breath;</p>
<p>&nbsp;</p>
<p>One truth.</p>
<p>&nbsp;</p>
<p>Flickering within it,</p>
<p>Countless convergent</p>
<p>&nbsp;</p>
<p>Streams, flights, currents</p>
<p>Fasten and unfasten –</p>
<p>&nbsp;</p>
<p>Uncertainty, evasion,</p>
<p>The soft equivocation</p>
<p>&nbsp;</p>
<p>Of mist, or rain.</p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-10.jpg"><img class="alignnone  wp-image-56" alt="H Is 10" src="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-10-300x224.jpg" width="450" height="336" /></a></p>
<p>&nbsp;</p>
<p>III</p>
<p>At Green Shiel, the sun beats down</p>
<p>On the shapes of deserted houses,</p>
<p>&nbsp;</p>
<p>On willow bush and fireweed</p>
<p>And the white grass of Parnassus,</p>
<p>&nbsp;</p>
<p>On stones of byre and bedroom,</p>
<p>Hearths, hidden in bent grass.</p>
<p>&nbsp;</p>
<p>A doorway, a threshold, a beginning.</p>
<p>Here, snail and bunting</p>
<p>&nbsp;</p>
<p>Have made their shelter. Peace</p>
<p>Is life, continuing</p>
<p>&nbsp;</p>
<p>Oblivious, without us –</p>
<p>Our better selves, our children –</p>
<p>&nbsp;</p>
<p>Here, in this hollow of ruins.</p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/132_3261.jpg"><img class="alignnone  wp-image-55" alt="132_3261" src="http://theclearingonline.org/wp-content/uploads/2013/08/132_3261-300x224.jpg" width="450" height="336" /></a></p>
<p>&nbsp;</p>
<p>IV</p>
<p>A burst of rapid chatter from the nest.</p>
<p>Into the shadowed</p>
<p>Dark and tarry upturned boat-shed flits</p>
<p>A swallow.</p>
<p>&nbsp;</p>
<p>Last month it was safe in the egg,</p>
<p>The egg secure in the nest,</p>
<p>The nest shrugged tight in the scarphed oak frames</p>
<p>Of the upturned wreck,</p>
<p>&nbsp;</p>
<p>Its planks stiffened with sailcloth</p>
<p>And its sails with tar;</p>
<p>And heaped inside from gunwale to keel,</p>
<p>Anchors, rope, oars –</p>
<p>&nbsp;</p>
<p>Woodworm and rust.</p>
<p>All the Island possessed.</p>
<p>&nbsp;</p>
<p>Then out of the white egg, out</p>
<p>Of the nest, the cupped hands</p>
<p>Of the boat, beached, never to sail again,</p>
<p>Into the sun</p>
<p>&nbsp;</p>
<p>And the wind’s currents</p>
<p>Bursts – a bullet,</p>
<p>The blue of Africa on its wings,</p>
<p>In its bandit’s mask, a red flash of desert,</p>
<p>&nbsp;</p>
<p>Already burning in its skull,</p>
<p>A spelk of magnet.</p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-15.jpg"><img class="alignnone  wp-image-57" alt="H Is 15" src="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-15-300x224.jpg" width="450" height="336" /></a></p>
<p>&nbsp;</p>
<p>V</p>
<p>Slanting over the Sneuk, over</p>
<p>Goswick, that sky-writing, ominous, ancient</p>
<p>Far-away, frightening, almost</p>
<p>&nbsp;</p>
<p>Legible. Whose hand, whose voice</p>
<p>Whispers over vast distances, ice</p>
<p>&nbsp;</p>
<p>Creaking in it, snow?</p>
<p>&nbsp;</p>
<p>No one. But for miles at the tide’s edge, geese –</p>
<p>Dark straggles of them, raise</p>
<p>&nbsp;</p>
<p>Oaths, hymns, gutturals; and Fenham,</p>
<p>Stirring in its sleep,</p>
<p>&nbsp;</p>
<p>In its own rank, spicy smells, its dribbles,</p>
<p>Its ooze, its salt-juices, its tidal creaks,</p>
<p>&nbsp;</p>
<p>Opens itself to the sky, to the world, absorbs</p>
<p>Streams, strings of cells pouring</p>
<p>&nbsp;</p>
<p>Down from nowhere into one dark body –</p>
<p>A rabble, a squabble, a whole hullabaloo</p>
<p>Trying to make sense of its singleness, an orchestra</p>
<p>&nbsp;</p>
<p>Tuning its thousand primitive instruments,</p>
<p>Half bagpipe, half trumpet.</p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/Refuge-Box-9.jpg"><img class="alignnone  wp-image-60" alt="Refuge Box 9" src="http://theclearingonline.org/wp-content/uploads/2013/08/Refuge-Box-9-224x300.jpg" width="336" height="450" /></a></p>
<p>&nbsp;</p>
<p>VI<b> </b></p>
<p><i>Curlew, godwit,                                                     Creeping, seeping,</i></p>
<p><i>Lapwing, plover,                                                                Icy, salty,</i></p>
<p><i>On the run                                                                   Softly, slowly,</i></p>
<p><i>Before the weather,                                             Tortuous, sinuous,</i></p>
<p><i> </i></p>
<p><i>Brent goose, white wing,                                      Winding, twining,</i></p>
<p><i>Migrant, vagrant,                                                         Bitter, briny,</i></p>
<p><i>Bird of passage,                                                     Seeping, creeping, </i></p>
<p><i>Traveller, emigrant,                                                       Infiltrating,</i></p>
<p><i> </i></p>
<p><i>Pilgrim, refugee,                                                          Steeping and</i></p>
<p><i>Believer,                                                                          Insinuating,</i></p>
<p><i>Fugitive,                                                         Drenching, drowning,</i></p>
<p><i>Asylum-seeker.                                                               Inundating.</i></p>
<p><i> </i></p>
<p>&nbsp;</p>
<p>The wind dies down. The tide advances. All is still.</p>
<p>Out on the far sand rig, the seals</p>
<p>&nbsp;</p>
<p>Raise their voices to the darkening sky.</p>
<p>&nbsp;</p>
<p>Who are they singing to sleep with their lullabies?</p>
<p>&nbsp;</p>
<p>Who? Who?</p>
<p>&nbsp;</p>
<p><b><i>Seals: Hooooo.</i></b></p>
<p>&nbsp;</p>
<p>I, Mark Bell,</p>
<p>&nbsp;</p>
<p>Of Wooler Haugh Head, employed on the afternoon</p>
<p>Of September the fifth eighteen-hundred and one, conveying a gentleman</p>
<p>&nbsp;</p>
<p>Onto the Island, turned for home, with another postillion</p>
<p>Over the sand, dark having not long fallen,</p>
<p>&nbsp;</p>
<p>The coach creaking into the fog like our own funeral.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Who?</p>
<p>&nbsp;</p>
<p>I, Harry Foreman,</p>
<p>&nbsp;</p>
<p>Butcher of Lowick in my blue-striped apron,</p>
<p>Bid ower-lang in the Northumberland Arms wi’ Geordie Wilson,</p>
<p>&nbsp;</p>
<p>Red nose, hot fire. One for the road? Why not, son. Soon</p>
<p>Cold in my liver, in my heart cold, cold in my marrow-bone,</p>
<p>&nbsp;</p>
<p>My money-bag around my neck, an end-stone.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Who? Who?</p>
<p>&nbsp;</p>
<p>I, Jean Bowes, who, with my husband,</p>
<p>Clicked off the lights and locked the door behind us</p>
<p>&nbsp;</p>
<p>And headed in our purple Triumph Herald</p>
<p>Into the dark, the windscreen wipers waving</p>
<p>&nbsp;</p>
<p>Goodbye, goodbye.<i> </i>We were looking forward</p>
<p>To Christmas, the holly berries blazed</p>
<p>&nbsp;</p>
<p>Brightly over the mantelpiece. Before us lay</p>
<p>Rain, spray; the headlights useless, hard to find</p>
<p>&nbsp;</p>
<p>The road, impossible. The car door slammed.</p>
<p>&nbsp;</p>
<p>How cold your hand was, John, out on that sand.</p>
<p>&nbsp;</p>
<p>My ticking watch, stopped at 3.30 a.m.</p>
<p><i> </i></p>
<p><i> </i></p>
<p><i>I am in flight</i></p>
<p><i>From the spin, from the things that I know that I do not know,</i></p>
<p><i>From the crush, from the crowds, from the push from the shove from the street</i></p>
<p><i>From the ice-age, from the heat-wave, from the fluttering heart-beat</i></p>
<p><i>At the core of it all; from the unseen hole</i></p>
<p><i>In the ozone’s eye; from the fossil-fuel                              </i></p>
<p><i>In the soot-black, oil-rich mouth of the melting-pot.</i></p>
<p><i>From the permafrost.</i></p>
<p><i>From the drip, drip, drip</i></p>
<p><i>Of its shrinking ice; from the jumbo-jet;                         <b></b></i></p>
<p><i>From the stink, from the smoke, from the smog, from the slick</i></p>
<p><i>Of the gridlocked highways’ car exhaust;</i></p>
<p><i>From the desert’s breath, the glacier’s roar,</i></p>
<p><i>From the sun’s frank stare, from the climate police,</i></p>
<p><i>From the blazing forest, glimpsed from space,</i></p>
<p><i>From the rising tide, from the sea at our feet –   <b></b></i></p>
<p><i>At our children’s feet –                             <b></b></i></p>
<p><i>Send us an air-lift, a lifeboat, an ark – </i></p>
<p><i>Or at least</i></p>
<p><i> </i></p>
<p><i>A refuge box.                                                <b></b></i></p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-4.jpg"><img class="alignnone  wp-image-58" alt="H Is 4" src="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-4-300x224.jpg" width="450" height="336" /></a></p>
<p>&nbsp;</p>
<p>VII</p>
<p>An hour before sunrise, sharp</p>
<p>Over the Island, the morning star</p>
<p>Pierces the first blue, and light flows.</p>
<p>&nbsp;</p>
<p>Beneath the refuge box, the road</p>
<p>Emerges. First, the bridge. The Low</p>
<p>Seethes, its rip-tide spittle-flecked.</p>
<p>&nbsp;</p>
<p>Slowly, the laminates part, pull back.</p>
<p>Behind their scalloped edge, the tarmac</p>
<p>&nbsp;</p>
<p>Glitters; beside it, knotted coils</p>
<p>Of lugworm casts, and starry snails.</p>
<p>&nbsp;</p>
<p>The tide sucks out. Not an even sheet</p>
<p>But a puzzle of pools. Its dazzling circuits</p>
<p>Fizz with seed and spawn, its brightness</p>
<p>&nbsp;</p>
<p>Shimmering, the sky a race</p>
<p>Of shadows, tumbling brilliance</p>
<p>Streaming south, unstoppable.</p>
<p>&nbsp;</p>
<p>The world is making itself again,</p>
<p>Piecing itself together, pinned</p>
<p>&nbsp;</p>
<p>With spelks of glass and steely light.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The redshank, its beak</p>
<p>A sensitive pinprick,</p>
<p>&nbsp;</p>
<p>Feels worms, snails,</p>
<p>Twitch beneath it. Cities,</p>
<p>&nbsp;</p>
<p>Pulsing, gorge on silt.</p>
<p>Across the mud-flats, cells,</p>
<p>&nbsp;</p>
<p>Hungry for light, split,</p>
<p>Peel and multiply.</p>
<p>&nbsp;</p>
<p>The road is a reef,</p>
<p>The mud beyond it, life</p>
<p>&nbsp;</p>
<p>Teeming, prehistoric.</p>
<p>&nbsp;</p>
<p>The Slakes are in flight.</p>
<p>Every species sweeps</p>
<p>&nbsp;</p>
<p>Onward, or dives</p>
<p>Deeper into the mud,</p>
<p>&nbsp;</p>
<p>Burning, bubbling</p>
<p>Back to its origins –</p>
<p>&nbsp;</p>
<p>Unimagined plains,</p>
<p>Deserts, continents,</p>
<p>&nbsp;</p>
<p>Conglomerates of grit,</p>
<p>&nbsp;</p>
<p>Indecipherable</p>
<p>From endless rewriting.</p>
<p><b><i> </i></b></p>
<p>Sand, sky and a flock</p>
<p>Of dunlin, shaken up.</p>
<p>&nbsp;</p>
<p>Sediment in a glass.</p>
<p>They rise as one, and drift</p>
<p>&nbsp;</p>
<p>Before the wind and tide</p>
<p>From mud-bank to sand-spit;</p>
<p>&nbsp;</p>
<p>And scattered populations,</p>
<p>Blown like smoke, flow</p>
<p>&nbsp;</p>
<p>Across earth’s curve, to pick</p>
<p>Here, among the wreckage.</p>
<p>&nbsp;</p>
<p><a href="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-21.jpg"><img class="alignnone  wp-image-59" alt="H Is 21" src="http://theclearingonline.org/wp-content/uploads/2013/08/H-Is-21-300x224.jpg" width="450" height="336" /></a></p>
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